Grace BIRKETT Kenrick

Three-Day Understanding Glaze Development in Depth

1st October, 8th October and 15th October 2027 | 3 Day Workshop | £300

This three-day course explores how glazes are built and why they behave as they do. Starting with the simplest possible glaze systems, each stage of testing builds on the last, with fired results analysed as the course progresses to create a continuous line of investigation. The aim is not simply to develop glazes, but to develop a more rounded understanding of ceramic materials, opening the door to independent and experimental ways of working. 

WHAT YOU NEED TO KNOW

The Course in Detail

Beginning with glazes made from just two or three ingredients, Grace will strip glaze making back to its essentials to help students understand the influence of each material.

Using biaxial and triaxial blends, students will investigate the relationship between clay, flux and feldspathic/siliceous materials before introducing secondary fluxes and exploring how they affect a glaze's character, surface and colour response. 

Colour development is explored in depth through systematic colour response tests and line blends using one and two oxides, alongside an explanation of more challenging and surprising colour combinations. The final day focuses on pushing glazes beyond their conventional limits, exploring special effects, troubleshooting, specific gravity and ornamental glaze tests. 

By simplifying glazes and rebuilding them step by step, students will develop a deeper understanding not only of glaze chemistry but of ceramic materials as a whole. This process encourages students to think critically about their results rather than simply collecting successful test tiles, developing a broader understanding and providing the foundation for more independent glaze development. It also opens up the possibility of incorporating locally sourced or foraged materials into future investigations. 

USEFUL INFO

Course Breakdown

Day 1 – Glaze from Scratch - Friday 1st October

Grace will start the session with a discussion on understanding the key aspects of a glaze – observing glazes, discussion & a quick theory lesson. 

With Grace’s tuition students will then start making a glaze from scratch - breaking it down to the basics. Students will continue to make two and three ingredient glazes.

Students will complete Biaxial and Triaxial tests and start thinking about how to design a test tile.

 Day 2 – Colour in Flux - Friday 8th October

Grace will introduce secondary fluxes and explain how to understand their effect on a glaze's character and colour response. 

Grace will then lead a session on in-depth colour exploration with colour response tests, building on week one recipes. 

Students will complete line blends using one and two oxides, with surprising combinations and tricky colours explained.

Day 3 - Pushing the Limits - Friday 15th October

Students will start the session on the final day by looking at special glaze effects and common defects, and Grace will lead a discussion on troubleshooting. Specific gravity will be explained.

Grace will discuss pushing the characteristics of the glaze to the limit (within reason!) and making ornamental glaze tests 

The session will end with individual further exploration of a glaze from previous week's tests with guidance from Grace. 

Key information

  • DATE

    1st, 8th & 15th October

  • DURATION

    3 day workshop across three weeks

  • CLASS SIZE

    Maximum 10 students

  • LEVEL

    LEVEL

    Suitable for both beginners and experienced potters

  • COST

    £300 (flexible payment plans available)

GUEST POTTER BIO

About Grace

Grace Birkett Kenrick is a studio potter based in south London. She makes wheel-thrown, mostly functional stoneware from her zero-waste garden studio, where she also teaches throwing and glaze development courses. 

Before returning to her hometown of London, Grace trained with traditional terracotta artisans in Barcelona, later studying ceramics at the Granada School of Art in Andalucía. During her time abroad, she developed a deep interest in the elemental nature of pottery, from atmospheric firings to working with wild clay, while developing her own expressive visual language through glaze making. 

Her practice is driven by an ongoing exploration of ceramic materials, investigating how subtle shifts in clay, glaze and fire can transform the character of a pot. Through this process, she creates quietly expressive functional ware that celebrates the richness and complexity of ceramic surfaces. 

Grace has recently completed exclusive ceramic commissions for St Barts Restaurant and the Chiltern Firehouse in London, and has exhibited work at the Turner Gallery. 

WHO THIS COURSE IS FOR

Level

Suitable for all levels

This course is suitable for curious beginners as well as makers with some experience of glaze making wishing to expand and deepen their understanding and learn a new approach to glaze testing. 

WHAT YOU CAN EXPECT

The Schedule

Frequently Asked Questions